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"Sergey Rybin's accompaniment was authoritative and mesmerising. I liked the bareness of juxtaposing a single musical instrument with a single human voice. Deprived of the colour of orchestral instrumentation, the accompaniment took on an utterly appropriate spareness. Even the silences spoke. The style ranged from gruffness to tenderness, from brusqueness to delicacy. Rybin reminded me of Boris Berezovsky in the range of his command and understanding of this work of art."
(Kenneth Carter, Classical Source)

"Sergey Rybin's playing was immaculate: technically sharp and focused but suffused with tenderness, a paradigm example of supportive, sensitive accompaniment." (Michael White, Opera Now)